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12 of 15 people found the following review helpful. Borodin’s emblematic Second symphony gets a reading which is more in touch with the score’s spirit. But in this case it is the orchestra’s sound and playing that appear a bit too pop and light for the occasion. In recent years, the Berlin Philharmonic has become just one among today’s great orchestras: leaner textures, technical brilliance and no relation to the Berlin sound forged by Karajan and so skilfully transformed by Abbado. Apart from being fashionable today, this sound serves them well in some instances (their recent Mahler as well as their Debussy recordings are stellar), but it makes it less easy to recognise an ensemble once distinguished by characteristic sound and playing (too characteristic for some). To sum up: Predictably, given the maestro-orchestra combination, this is an excellent disc. And the coupling is fine, not to mention a sleek account of the Polovtsian Dances coming as a bonus! But I would still rather recommend Giulini’s Chicago Symphony recording for the orchestral version of the Pictures (DG) and – despite its technical imperfections – Kubelik’s heartfelt Vienna Philharmonic recording for Borodin’s Second (EMI). |





